Blown rubber soul-~ Rubber Soul | Free Listening on SoundCloud

Goes from pristine clean to hot and jangly to smoky, slightly ragged overdrive, with a 2-band eq that is voiced just right. Transparent when bass and treble are at noon and plenty of flavors available including mid scoop, mid hump, bright, dark, thin, and fat. We are busier now than ever. So you get the cutting presence of the bright channel but with a bit of the beef and fullness of the normal channel added in--just not so much that it turns to mud at high gain. The Rubber Soul responds very much like a tube amp would to your pickup volumes and to the impact of running other effect pedals in front of it.

Blown rubber soul

Blown rubber soul

Blown rubber soul

Blown rubber soul

But it was the rustic beauty of the Band's music and the drama of their own Blowb on family and Blown rubber soul, on Blown rubber soul such as "The Weight," that made Big Pink an instant homespun classic. The 50 cuts on these two CDs run from guitar-and-stand-up-bass duets to full-band romps — and they only scratch the surface Bloown Waters' legacy. In Octoberwe started to record the album. BeatleFreak2 Monday 24 June Goode," "Back in the USA. BeatleMark Sunday 24 January When I was a kid, I was always buying their albums in the U. Location: Canada.

Exploding dental implants. ~ Rubber Soul’s tracks

That was actually one of those little exciting random things that happen. You can really hear the similarities. Main Products: Shoe outsole,Toe puff and counter,Plastic shoe lasts,insole foam material. These woul do not store any personal information. They are that good, I can't bear to Honda leather pants racing without them. I could Blown rubber soul on and Blown rubber soul, but they really are all very good. Hollywood Joe Tuesday 24 June When I took it down to Bonhams I went on the underground with it in a carrier bag. Bob Saturday 20 June Josiah Saturday 28 January Well worth the wait. I always thought Blosn was far better than Revolver, in-fact Revolver is easily my least favourite of the Rubber and onwards albums.

In , Rolling Stone asked a panel of artists, producers, industry executives and journalists to pick the greatest albums of all time.

  • Uncropped, undistorted Rubber Soul cover photograph by Robert Freeman.
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  • Goes from pristine clean to hot and jangly to smoky, slightly ragged overdrive, with a 2-band eq that is voiced just right.
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In , Rolling Stone asked a panel of artists, producers, industry executives and journalists to pick the greatest albums of all time. In , we asked a similar group of experts to pick the best albums of the s. And I knew there was something that could be louder than that, but didn't know where to find it. And I found it was me. Rock's greatest live double LP is an unbeatable testimony to the Allman Brothers ' improvisational skills, as well as evidence of how they connected with audiences to make jamming feel communal.

Loud, obnoxious, funky, avant-garde, political, hilarious — Public Enemy 's brilliant second album is all of these things, all at once. Chuck D booms intricate rhymes with a delivery inspired by sportscaster Marv Albert; sidekick Flavor Flav raps comic relief; and production team the Bomb Squad builds mesmerizing, multilayered jams, pierced with shrieking sirens.

The title and roiling force of "Bring the Noise" is truth in advertising. Two important things happened to John Coltrane in The saxophonist left Miles Davis ' employ to join Thelonious Monk's band and hit new heights in extended, ecstatic soloing. Coltrane also kicked heroin addiction, a vital step in a spiritual awakening that climaxed with this legendary album-long hymn of praise — transcendent music perfect for the high point of the civil rights movement.

The indelible four-note theme of the first piece, "Acknowledgment," is the humble foundation of the suite. But Coltrane's majestic, often violent blowing famously described as "sheets of sound" is never self-aggrandizing. His playing soars with nothing but gratitude and joy. You can't help but go with him. Bob Marley said, "Reggae music is too simple for [American musicians].

You must be inside of it, know what's happening, and why you want to play this music. You don't just run and go play this music because you think you can make a million off it.

In a single disc, it captures everything that made him an international icon: his nuanced songcraft, his political message and savvy , and — of course — the universal soul he brought to Jamaican rhythm and Rastafarian spirituality in the gunfighter ballad "I Shot the Sheriff," the comforting swing of "No Woman, No Cry" and the holy promise of "Redemption Song.

The Band's long life on the road resonates in the brawn of Garth Hudson's keyboards and Helm's juke-joint attack. She sought the visions and passions that connected Keith Richards and Rimbaud — and found them, with the intuitive assistance of a killing band pianist Richard Sohl, guitarist Lenny Kaye, bassist Ivan Kral and drummer Jay Dee Daugherty and her friend Robert Mapplethorpe, who shot the stark, beautiful cover portrait.

But in the studio, the band articulated bassist Roger Waters' reveries on the madness of everyday life with melodic precision "Breathe," "Us and Them" and cinematic luster Clare Torry's guest-vocal aria, "The Great Gig in the Sky".

After blowing minds as the house band at L. But they hit pay dirt by editing down one of their jams: "Light My Fire," written by guitarist Robbie Krieger when Jim Morrison told everybody in the band to write a song with universal imagery.

True, the music was less shocking than Rotten himself, who snarled about abortions, anarchy and hatred. But Never Mind. And for good reason: The third record by his biracial L. After his release, he brought extra pathos to "Live and Let Live" when he sang, "Served my time, served it well. For productivity alone, it's one of the greatest first albums in rock.

The Beatles had already invented a bracing new sound for a rock band — an assault of thrumming energy and impeccable vocal harmonies — and they nailed it using the covers and originals in their live repertoire: the Shirelles' "Boys" and Arthur Alexander's "Anna"; the Lennon — McCartney burners "There's a Place" and "I Saw Her Standing There. McKinley Morganfield — a. Muddy Waters — started out playing acoustic Delta blues in Mississippi.

But when he moved to Chicago in , he needed an electric guitar to be heard over the tumult of South Side clubs. The 50 cuts on these two CDs run from guitar-and-stand-up-bass duets to full-band romps — and they only scratch the surface of Waters' legacy. In pursuit of note-perfect Hollywood-cowboy ennui, the Eagles spent eight months in the studio polishing take after take after take.

As Don Henley recalled, "We just locked ourselves in. We had a refrigerator, a ping-pong table, roller skates and a couple of cots. We would go in and stay for two or three days at a time. The glam rock Bowie made with guitarist Mick Ronson on tracks like "Hang on to Yourself" and "Suffragette City" is an irresistible blend of sexy, campy pop and blues power.

The anthem "Ziggy Stardust" is one of rock's earliest, and best, power ballads. Don't you, Elton? Just kidding. No, I'm not. Dylan offered to play on the album; the Band said no thanks. Dylan contributed "I Shall Be Released" and co-wrote two other tunes. But it was the rustic beauty of the Band's music and the drama of their own reflections on family and obligations, on songs such as "The Weight," that made Big Pink an instant homespun classic.

Clocking in at just over 28 minutes, Ramones is a complete rejection of the spangled artifice of s rock. The Rolling Stones ' final record of the Sixties kicks off with the terrifying "Gimme Shelter," the song that came to symbolize not only the catastrophe of the Stones' free show at Altamont but the death of the decade's utopian spirit.

And the entire album burns with apocalyptic cohesion: the sex-mad desperation of "Live With Me"; the murderous blues of "Midnight Rambler"; Keith Richards ' lethal, biting guitar on "Monkey Man"; the epic moralism, with honky-tonk piano and massed vocal chorus, of "You Can't Always Get What You Want," which Mick Jagger wrote on acoustic guitar in his bedroom. I felt like a cellophane wrapper on a pack of cigarettes.

I felt like I had absolutely no secrets from the world, and I couldn't pretend in my life to be strong. Or to be happy. Its whispery minimalism is also Mitchell's greatest musical achievement. Stephen Stills and James Taylor lend an occasional hand, but in "California," "Carey," "This Flight Tonight" and the devastating title track, Mitchell sounds utterly alone in her melancholy, turning the sadness into tender, universally powerful art.

On their first album, Led Zeppelin were still in the process of inventing their own sound, moving on from the heavy rave-ups of guitarist Jimmy Page 's previous band, the Yardbirds. But from the beginning, Zeppelin had the astonishing fusion of Page's lyrical guitar-playing, Robert Plant 's paint-peeling love-hound yowl, and John Paul Jones and John Bonham's avalanche boogie. Heavy metal still lives in its shadow. Pete Townshend said he suffered a nervous breakdown when his planned follow-up to the rock opera Tommy , the ambitious, theatrical Lifehouse , fell apart.

But he was left with an extraordinary cache of songs that the Who honed for what became their best studio album, Who's Next. On Rumours , Fleetwood Mac turned private turmoil into gleaming, melodic public art. The band's two couples — bassist John and singer-keyboard player Christine McVie, who were married; guitarist Lindsey Buckingham and vocalist Stevie Nicks, who were not — were in the midst of breakups during the album's protracted sessions. Perhaps the greatest live album ever recorded.

From the breathless buildup of the spoken intro through terse, sweat-soaked early hits such as "Try Me" and "Think" into 11 minutes of the raw ballad "Lost Someone," climaxing with a frenzied nine-song medley and ending with "Night Train," Live at the Apollo is pure, uncut soul.

James Brown defied King Records label boss Syd Nathan's opposition to a live album by arranging to record a show himself — on October 24th, , the last date in a run at Harlem's historic Apollo Theater. His intuition proved correct: Live at the Apollo — the first of four albums Brown recorded there — charted for 66 weeks. Stevie Wonder 's high-flying musical experimentation and penetrating lyrical insight made Innervisions a textured, but never self-indulgent, work of soulful self-discovery.

Fusing social realism with spiritual idealism, he brings expressive color and irresistible funk to his keyboards on "Too High" a cautionary anti-drug song and "Higher Ground" which echoes Martin Luther King Jr.

The album's centerpiece is "Living for the City," a cinematic depiction of exploitation and injustice. He deals with childhood loss in "Mother" and skirts blasphemy in "Working Class Hero": "You're still fucking peasants as far as I can see. Plastic Ono Band is the sound of Year Zero. Every one of his songs along with 12 alternate takes is included here — a holy grail of the blues.

Goode," "Back in the USA. In the maestro's own words, "The nature and backbone of my beat is boogie, and the muscle of my music is melodies that are simple. Michael Jackson towered over the s the way Elvis Presley dominated the s, and here's why. He and producer Quincy Jones established the something-for-everyone template with 's Off the Wall , a crisp fusion of pop hooks and dance beats. The crowning touch was the superior jazz quintet convened by producer Lewis Merenstein to color the mists and shadows.

Bassist Richard Davis later said that Morrison never told the musicians what he wanted from them or what the lyrics meant. Maybe he didn't know how to. He was going deep inside himself, without a net or fear. Bruce Springsteen spent everything he had — patience, energy, studio time, the physical endurance of his E Street Band — to make his masterpiece.

There are a dozen guitar overdubs on the title track alone. He found it so hard to re-create the sound in his head — the Jersey-bar dynamite of his live gigs, Phil Spector 's grandeur, Roy Orbison 's melodrama — that he nearly gave up and put out a live album. But his attention to detail produced a timeless record about the labors and glories of aspiring to greatness. The overnight-success story of the s, Nirvana 's second album and its totemic first single, "Smells Like Teen Spirit," shot up from the nascent grunge scene in Seattle to kick Michael Jackson off the top of the Billboard album chart and blow hair metal off the map.

No album in recent history had such an overpowering impact on a generation — a nation of teens suddenly turned punk — and such a catastrophic effect on its main creator. The weight of fame led already troubled singer-guitarist Kurt Cobain to take his own life in Lyrically, Cobain raged in code — shorthand grenades of inner tumult and self-loathing. His genius, though, in songs like "Lithium," "Breed" and "Teen Spirit" was the soft-loud tension he created between verse and chorus, restraint and assault.

Cobain also fought to maintain his underground honor. Ultimately, it was a losing battle, but it is part of this album's enduring power. He wanted to play [the song] live all the way through. In fact, he wrote all of these lyrically piercing, gingerly majestic songs in two months, in mid But in December, Dylan played the record for his brother David in Minneapolis, who suggested recutting some songs with local musicians.

The final Blood was a mix of the slow, pensive New York sessions and the faster, wilder Minneapolis dates. Yet he had never turned so much pain into so much musical splendor. Hendrix's incendiary playing was historic in itself, the luminescent sum of his chitlin-circuit labors in the early Sixties with Little Richard and the Isley Brothers and his melodic exploitation of amp howl.

Hendrix made soul music for inner space. That January, the Beatles were on the verge of a breakup, exhausted and angry with one another after the disastrous sessions for the aborted Get Back LP, later salvaged as Let It Be [see No. There was no thematic link, other than the Beatles' unique genius. Let It Be was the group's final release, but this album was its real goodbye.

Billy Shears Tuesday 11 August That was actually one of those little exciting random things that happen. I was paid 26 guineas and five shillings. They never had better harmonies than on this album. Location: West Sussex. Postman Wednesday 16 January Beatledust , Onder , kozy and 3 others like this.

Blown rubber soul

Blown rubber soul. Sound Clips

I think the one that had the biggest impact on me on first listen was Please Please Me ; it sounded so incredibly fresh and alive so much so that I initially judged With The Beatles rather unfairly. I could go on and on, but they really are all very good. David Austin , Mar 20, Location: Trowbridge, England. I have two copies of the monos They are that good, I can't bear to live without them. Raving Russell , Mar 20, Dan The Man1 , forthlin and Onder like this. Location: Southern California.

Its up to part DennisF , Mar 20, Location: Millarville, Alberta. Chemguy , Mar 20, Dan The Man1 , kyletx , ohnothimagen and 1 other person like this. Location: Ottawa, Ontario. Capitol of Canada. Bingo Bongo , Mar 20, I bought the mono cd set and love it.

When the mono lord box was released in I just couldn't justify buying it. I did break down and purchased 4 titles. The music just shines in Mono. Location: Levittown. DK Pete , Mar 20, Paul Saldana , Mar 20, Adam9 likes this. David Austin likes this. Location: Colorado. Keep in mind that Capitol albums would only have 6 songs per side, not 7.

This is just a thought exercise anyway. There, Jammy. John was an extreme talent, but his disorganisation and tendency to laziness dragged his career down when he lost dumped his three wonderful colleagues.

And yet, he somehow managed to turn in gems like Woman is the n—-r of the world and Steel and glass. And, if only he had stayed away from Phil Spector….. Harrison has two gems here. About the only thing off-putting are the lyrics on the last song on side two, but the playing on that song and the melody are quite good. I have one of the butchered babies albums but alas, I was just a kid and it looks like a kid tried to get the cover-up off by herself. In other words, it is a mess. The original Beatles albums are those issued in the UK.

I truly love this album. Every song is perfect, and that is very rare. Four white guys from Liverpool sounding like four black guys from Detroit! This has always been one of my top 10 albums of all time in either the UK or folkier US incarnation. The songs are superb. I love the variety of sounds and the economical arrangements.

And the performances have a relaxed confidence. Wall to wall this is a truly great album. Hollywood Joe. I much prefere the uk track listing to us. I cant imagine the album opening with any track but drive my car.

Song for song one of there better albums. I enjoy so called filler such as wait, word, run for your life just as much as in my life and Norwegian wood. It certainly would have been an awesome double album. I got this in for my 13th birthday,36 years ago tomorrow!! I also got the album A Hard Days Night. When I first got it; for quite awhile after it was my favourite Beatles album, though over the years that opinion has chopped and changed. Rubber Soul mixes folk rock, classic pop and ballad and country with some of the best harmonizing courtesy of John, Paul and George.

The latter is one of my favourite songs of all time with a timeless message that we can all relate to. Drive My Car, another great song. This is one of the greatest albums of all time. I was always curious about this..

To me from a songwriting point of view Rubber Soul is their best album. Rubber Soul is folky, sparse and laid back.

It works very well as a unit. Some tunes could indeed have been on both albums but having Tomorrow Never Knows on Rubber Soul is unthinkable. The Beach Boys made Pet Sounds a response to this album, trying to top it.

You can really hear the similarities. Interesting to ponder: did the Beach Boys hear the U. I love The Beatles. They are the best band of all time. Pepper, Revolver and Abbey Road all find a place in my top 5 favourites of all time. The Double White makes it 4 in the top It seems like a great big leap from this to Revolver for me.

I heard the US version first, but have long since owned both. So happy Wait was resurrected from help sessions. Had it not been, Wait would have been their best unreleased track. In my opinion, Rubber Soul is the Beatles best. Wait and If I needed someone are seriously underappreciated. Run for your life is an the only average song with a deeply disturbing subject matter that is glossed over in the beatles myth.

Magical Mystery is equal favourite nowadays as well with Rubber. I always thought Rubber was far better than Revolver, in-fact Revolver is easily my least favourite of the Rubber and onwards albums. Still love it a ton though. Rubber Soul has the best harmonies and is the perfect transition album. Not sure why. The silly vocals to the right thing and it being quiet on Norwegian Wood, similar to the song Sgt.

All in all one of my favourite albums and nowadays my favourite Beatles album tied with Mystery Tour. Von Bontee makes and excellent point about having a great closing track. Having a great opener goes without saying for the marketing point of view — but a great closer is equally important from the artistic point of view.

A brave song in some ways, just not a good song. He knew it was true and showed some courage in revealing it. He certainly had it in him. When I was a kid, I was always buying their albums in the U. Either way, my top two favorite albums of theirs…well, that changes from time to time, though.

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It is mandatory to procure user consent prior to running these cookies on your website. Previous 1 2 3. I liked the way we got our faces to be longer on the album cover.

George Harrison Anthology. The album cover is another example of our branching out: the stretched photo. That was actually one of those little exciting random things that happen.

The photographer Robert Freeman had taken some pictures round at John 's house in Weybridge. We had our new gear on — the polo necks — and we were doing straight mug shots; the four of us all posing. Back in London Robert was showing us the slides; he had a piece of cardboard that was the album-cover size and he was projecting the photographs exactly onto it so we could see how it would look as an album cover. We had just chosen the photograph when the card that the picture was projected onto fell backwards a little, elongating the photograph.

It was stretched and we went, 'That's it, Rubber So-o-oul, hey hey! Can you do it like that? I can print it that way. Paul McCartney Anthology. It was all about the name of the album.

If you tap into a rubber tree then you get a sort of globule, so I started thinking of creating a shape that represented that, starting narrow and filling out.

I was paid 26 guineas and five shillings. To me it was just another piece I'd done and I had put it away and forgotten about it. When I took it down to Bonhams I went on the underground with it in a carrier bag. When I came back after discovering its value I was absolutely clutching it in a case. Latest Comments. Their first collection of songs that seem to work together on the album somehow, they make the album seem to have a concept or something Their first albums were AMAZING too but they put fill-in songs, which they stopped doing after Rubber Soul, or Revolver Its incredible the way they progressed so fast, in every aspect a musician could Loading Even their fill-in songs were fab in their own way, eh?

EchoNov Thursday 12 September Abdo A Ades Monday 26 September Joseph Brush Thursday 12 November Von Bontee Thursday 21 January Lukey Boy Sunday 11 August

Rubber Soul – The Beatles Bible

John Lennon : vocals, electric guitar, acoustic guitar, piano, Vox Continental organ, tambourine Paul McCartney : vocals, bass guitar, electric guitar, acoustic guitar, piano George Harrison : vocals, electric guitar, acoustic guitar, sitar, tambourine Ringo Starr : vocals, drums, cowbell, tambourine, maracas, percussion, bells, Hammond organ George Martin : piano, harmonium, tambourine Mal Evans : Hammond organ.

The Beatles' sixth UK album and 11th US long-player, Rubber Soul showed the group maturing from their earlier pop performances, exploring different styles of songwriting and instrumentation, and pushing boundaries inside the studio. Rubber Soul furthered the group from the straightforward love songs that had characterised their early recordings, and continued the exploration of wider themes that had begun in songs such as Help! In Nowhere Man, Lennon detailed his lack of confidence and feelings of insecurity, and Norwegian Wood This Bird Has Flown dealt obliquely with an affair he was having, yet didn't want his wife to discover.

In My Life, meanwhile, began as a nostalgic set of memories of Liverpool. In Lennon described it as "my first real major piece of work",. Paul McCartney's songwriting, too, was maturing, although his creative peak as a songwriter arguably didn't arrive until 's Revolver. In their rush to complete the album, Lennon and McCartney resurrected some older songs.

Wait had been recorded for Help! Michelle, meanwhile, was one of McCartney's oldest songs, dating as far back as Years later, John said, 'D'you remember that French thing you used to do at Mitchell's parties?

He said, 'Well, that's a good tune. You should do something with that. Their first collection of songs that seem to work together on the album somehow, they make the album seem to have a concept or something Their first albums were AMAZING too but they put fill-in songs, which they stopped doing after Rubber Soul, or Revolver Its incredible the way they progressed so fast, in every aspect a musician could.

The group had a very tight time schedule, with recording sessions, tours, concerts, radio- and TV shows, photo sessions, movies, etc. They had very limited time to write songs, and still they made songs of very high quality. Rubber Soul is a very high quality hit album from start to end. EMI wanted the album to be released in time for the Christmas shopping.

That may have increased the pressure on the group. Its was Johns last hurrah as head honcho before Paul started to dominate… All good… It was always the Beatles anyway… John made a big recovery on The White Album And also Abbey Road but their creative processes were so intertwined that its not only difficult but also unnecessary to separate them out from each other That unity and synergism was what made them the Beatles.

They progressed and responded to the amazing competion they had at the time on both sides of the Atlantic. We here in the U. This variation of the album is rare and is not included on the Capitol albums box set. Give me pristine stereo or mono anyday. Well this particular lp was in true stereo, not Duophonic. Ah, I see. A great collection of songs, front to back. Really either the end of an era or the beginning. This was the first Beatles album I ever bought. It had just come out and I bought with my 9th birthday money.

I bought Rubber Soul and Help that day. I remember being amazed even as a 9 year old at the incredible musical differences between the two albums. It just flows really well. I played them both morning, noon and night! Rubber Soul was the first time I realised that The Beatles had an appeal beyond kids and teenagers. They never had better harmonies than on this album.

Love this album. I really do. Well, my point was that you mentioned it twice in that one sentence! Or was that intentional? This is another where I think Capitols bastardizing of the albums worked in the Beatles favor. What Goes On is, to me, simply a travesty in the world of Rubber Soul. It is interesting that UK versions have now taken over because when a lot of people refer to Rubber Soul historically they are talking about the U.

Capitol version. That is the collection of songs that inspired Brian Wilson not the Uk one. Should have been strictly a single. The album really flows much nicer on the US version! That song appeared the preceding August on the Help! Yeah, the yanks are always there with their attempts at oneupmanship.

They cracked the Enigma code so would one of their trash films have us believe , then TAUGHT the Beatles who were of course yanks anyway, as everybody knows how to put albums together.

Bad enough they ignored the early songs, but the butchering or bastardizing! I wonder how The Beatles themselves felt about it. On the differences between the U. There are clear disappointments with the U. Many have argued that because of this, the U. Keep in mind that Capitol albums would only have 6 songs per side, not 7.

This is just a thought exercise anyway. There, Jammy. John was an extreme talent, but his disorganisation and tendency to laziness dragged his career down when he lost dumped his three wonderful colleagues. And yet, he somehow managed to turn in gems like Woman is the n—-r of the world and Steel and glass. And, if only he had stayed away from Phil Spector…..

Harrison has two gems here. About the only thing off-putting are the lyrics on the last song on side two, but the playing on that song and the melody are quite good. I have one of the butchered babies albums but alas, I was just a kid and it looks like a kid tried to get the cover-up off by herself. In other words, it is a mess. The original Beatles albums are those issued in the UK.

I truly love this album. Every song is perfect, and that is very rare. Four white guys from Liverpool sounding like four black guys from Detroit! This has always been one of my top 10 albums of all time in either the UK or folkier US incarnation. The songs are superb. I love the variety of sounds and the economical arrangements.

And the performances have a relaxed confidence. Wall to wall this is a truly great album. Hollywood Joe. I much prefere the uk track listing to us. I cant imagine the album opening with any track but drive my car. Song for song one of there better albums. I enjoy so called filler such as wait, word, run for your life just as much as in my life and Norwegian wood.

It certainly would have been an awesome double album. I got this in for my 13th birthday,36 years ago tomorrow!! I also got the album A Hard Days Night. When I first got it; for quite awhile after it was my favourite Beatles album, though over the years that opinion has chopped and changed. Rubber Soul mixes folk rock, classic pop and ballad and country with some of the best harmonizing courtesy of John, Paul and George.

The latter is one of my favourite songs of all time with a timeless message that we can all relate to. Drive My Car, another great song. This is one of the greatest albums of all time. I was always curious about this.. To me from a songwriting point of view Rubber Soul is their best album. Rubber Soul is folky, sparse and laid back. It works very well as a unit. Some tunes could indeed have been on both albums but having Tomorrow Never Knows on Rubber Soul is unthinkable.

The Beach Boys made Pet Sounds a response to this album, trying to top it. You can really hear the similarities. Interesting to ponder: did the Beach Boys hear the U. I love The Beatles. They are the best band of all time. Pepper, Revolver and Abbey Road all find a place in my top 5 favourites of all time.

The Double White makes it 4 in the top

Blown rubber soul